A buddy series of "Dukgyu," a 68-year-old making weird poses in front of the gym mirror, wearing a sleeveless t-shirt, and his grandson "Donghyun," who just doesn't get him.

The adventures of Uncle Grandpa who is out to help every child and adult in the world through the power of imagination. With his mystical R.V. and eternal optimism, Uncle Grandpa is always ready to greet the day - and everyone he meets - with his signature, "Good Mornin'."

John Falcon did 10 years of hard time in prison. Now he's got 24 hours to get revenge on every person who had a hand in sending him there.

In the year 2009, a young policeman must collapse a Yakuza family whose members make a large profit with a new drug.

A desperate mechanic's plan to escape his past unravels when his sister returns home and two violent debt collectors close in.

7 min 　　online: 　　http://www.youtube.com/watch?v=3Ry-Bwtc4a0

The story about three detectives in their 20's who transform into old men in their 70's overnight and one elite detective who luckily stays young as himself. The drama will comically tell the story of the three detectives trying to regain their young bodies back.

Peter is thrilled that his Grandpa is coming to live with his family. That is, until Grandpa moves into Peter's room, forcing him upstairs into the creepy attic. And though he loves his Grandpa, he wants his room back - so he has no choice but to declare war.

A muscular but meek fella strains under the pressures of masculinity and struggles to find work. After serendipitously landing a circus strongman gig, he proves a talented performer, but is he really man enough for the job?

The director’s grandparents, who have been together for over 60 years, recall (and re-edit) fragments of their life together. The film, originally intended as part of a video installation, captures a return to a nonlinear past, while also probing how textures and the materiality of images can be inscribed onto the cinema screen. 　　“A play of light, shadows, and pixels, Alma Buhagiar’s film comes from afar, from a cinema now forgotten where a superimposition, a portrait dissolving into the landscape, could be suspense, climax, could be a story in itself. Beyond its rarity, the charm of this PATCHWORK is mainly the unspoken seriousness of this game of filming with the grandparents. Of course, showing their love is certainly a pleasure, listening to their spells is a curiosity, and making them dance in each other’s arms is pure joy. Still, it is just as certain that the three of them are aware they are staging scenes for eternity, equally concerned with the past, present, and future. In fact, it may be that this is what any home movie is doing.” (Călin Boto)